Curtis Hanson and his behind-the-scenes collaborators reveal the secrets of bringing 1950s Los Angeles to life in unforgettable style.

As corruption grows in 1950s LA, three policemen - one strait-laced, one brutal, and one sleazy - investigate a series of murders with their own brand of justice.

This piece looks at the film's rather distinctive production design and cinematography.

Is a sensitive and mysterious poet really an IRA gunman in hiding? Set in a Dublin tenement in the 1920s, this was the first part of Sean O'Casey's celebrated "Dublin Trilogy." Equal parts comedy and tragedy, this classic play is brilliantly performed by a stellar cast.

Revisit 100 years of Chinese cinema through the RTHK TV program A Century of Light and Shadow. Aired in 2005, this interesting and informative documentary traces the development of the Chinese film industry from the pioneering years to contemporary times. From the volley between Mandarin and Cantonese films to the rise of the New Wave, this program touches on all the major trends and developments that have helped define Chinese cinema and explores different genres and representative figures and films. From actors to directors, over 200 film industry names, including Jackie Chan, John Woo, Sammo Hung, Connie Chan, Andrew Lau, Peter Chan, and Lau Ching Wan, appear in the program, bringing their intimate knowledge of the industry and providing insight about what lies ahead for Chinese cinema.

此片根据詹姆斯·艾罗瑞(James Ellroy)的小说改编，描写了1950年代，警界腐败、犯罪纵横的洛杉矶。 杰克·文森（凯文·斯派西 饰）是警界名人，常常出现在电视媒体中，与《嘘嘘报》的八卦记者狼狈为奸，靠制造和揭发明星的桃色新闻，赚取外快。艾德·艾斯力（盖·皮尔斯 饰 ）子承父业进入警局，野心勃勃，做事严谨，因为出卖同事而升职，受到大家的排挤；巴德·怀特（罗素·克劳 饰） 铁面无私，但是个性冲动，容易遭人利用。 一桩疑似抢劫的餐厅命案将这三个人联系起来。艾德·艾斯力找到了三个黑人嫌疑犯，并被判死刑结案，还因此收到上级嘉奖，但是他却在进一步的调查中发现案子并没有那么简单，他说服了杰克·文森和他一起继续追查；巴德·怀特对餐厅命案一直心存怀疑，他找到的线索也显示，案子根本没有想象中那么简单。 三个人迅速被卷入一个色情、毒品、谋杀、背叛、贪污、阴谋交织的网中，惊人的内幕.....

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Courtroom drama involving the mafia inspired by true events.

Aline Issermann's "Shades of Doubt" ("L'Ombre du Doute"), a French film about a wrenching family crisis, is set forth with remarkable restraint. The subject is incest, but the story's potential for tawdriness is never exploited. Instead, Ms. Issermann presents a discreet, methodical account of how 12-year-old Alexandrine comes to bring and then recant charges against her father, Jean.

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